Carl Stumpf

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Carl Stumpf

Carl Stumpf.
Full name Carl Stumpf
Born 21 April 1848
Wiesentheid
Died 25 December 1936
Berlin
Era 20th-century philosophy
Region Western Philosophy
School Phenomenology

Carl Stumpf (21 April 1848 – 25 December 1936) was a German philosopher and psychologist. He is known for his impact on phenomenology, one of the most important philosophical trends of the twentieth century.

He had an important influence on Edmund Husserl, the founder of modern phenomenology, as well as Max Wertheimer, Wolfgang Köhler and Kurt Koffka, co-founders of Gestalt psychology.

Stumpf was also one of the pioneers of musicology and ethnomusicology. He held positions in the philosophy departments at the Universities of Göttingen, Würzburg, Prague, Munich and Halle, before obtaining a chair (professorship) at the University of Berlin.[1]

Phenomenology[change | edit source]

Stumpf began his Tonpsychologie (Tone psychology) in 1875, perhaps his greatest contribution to psychology. He distinguished between phenomena and mental functions, suggesting that phenomena such as tones, colours, and images are either sensory or imaginary. Stumpf termed the study of such phenomena as phenomenology. He did a wide range of studies of the sounds of different instruments, melody, tonal fusion, and the consonance and dissonance of tones.[1]

Sensational phenomena[change | edit source]

In 1903 and 1904, Stumpf was involved in two public episodes about sensational phenomena. First, an engineer from Prague claimed to have invented a machine that could change photographs of sound waves into sound. Stumpf, after attending a demonstration, wrote an article challenging it, and it was never heard about again. However, the case of Clever Hans, an apparently brilliant horse owned by Herr von Osten, was even more sensational.[2] The research done under his guidance disproved the idea that the animal understood language. It turned out that the horse was following subtle clues given unconsciously by its owner.

Major works[change | edit source]

  • 1885. Tonpsychologie
  • 1911. Die Anfänge der Musik
  • 1928. Gefühl und Gefühlsempfindung
  • 1939-1940. Erkenntnislehre. 2 volumes, Leipzig: J.A. Barth.
  • 1997. Carl Stumpf – Schriften zur Psychologie. H. & L. Sprung (eds) Frankfurt am Main: P. Lang.

Other sources[change | edit source]

  • 1911. Pfungst O. Clever Hans (the horse of Mr. von Osten): a contribution to experimental, animal, and human psychology. New York: Henry Holt.
  • 1982. Spiegelberg H. The phenomenological movement. 3rd ed, The Hague: Nijhoff.
  • 1995. Ash M.G. 1995, Gestalt psychology in German culture 1890–1967. Cambridge: Camb. U. Press.
  • 2006. Carl Stumpf – Renaissance de la philosophie. D. Fisette (ed), Paris: Vrin.
  • 2009. Carl Stumpf. Gestalt Theory. vol. 30, #2.

References[change | edit source]

  1. 1.0 1.1 Stanford Encyclopedia of Philosophy.
  2. Boring E.G. 1950. A history of experimental psychology. New York: Appleton Century Croft. p362–371 Carl Stumpf.