Giotto di Bondone

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Giotto
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Statue of Giotto di Bondone, close to the Uffizi.
Birth name Giotto di Bondone
Born Template:Circa 1267
near Florence, Italy
Died January 8, 1337 (Aged about 70)
Florence, Italy
Nationality Italian
Field Painting, Fresco
Movement Gothic

Giotto di Bondone (about 1267January 8 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance.

Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence."[1]

The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years."[2]

Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel. It was completed around 1305. This fresco cycle shows the life of the Virgin and the life of Christ. It is regarded as one of the best works of the Early Renaissance.[3] That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.

[change] References

  1. Bartlett, Kenneth R. (1992). The Civilization of the Italian Renaissance. Toronto: D.C. Heath and Company. ISBN 0-669-20900-7 (Paperback). Page 37.
  2. Giorgio Vasari, Lives of the Artists, trans. George Bull, Penguin Classics, (1965)
  3. Hartt, Frederick (1989). Art: a history of painting, sculpture, architecture. Harry N. Abrams, pp. 503–506. 
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