A 'recording engineer' (or simply "engineer" for short) is a person who operates, and usually chooses and sets up recording equipment. The term applies mainly to a person who works in a , but can also apply to people who do the same kind of work, in other places. An engineer may work with , stereophonic or remixes, or both.
Some amateur (and a few professional) engineers are self-taught, and learn mostly by doing, or with the help of a manual or . Many engineers started in other studio jobs (such as or ), and learned about recording as they became familiar with the studio where they worked. An engineer learns about the use and placement of microphones, how to operate and maintain a , , and other machines, and how to live and recorded sounds, to make the best, and often the most unique, recording possible. A good engineer will strive to make recordings that are both of high technical quality, and also pleasing to hear.
Starting wages may be small in recording studios, and many volunteers. Experienced engineers, especially those who have worked on a , may command a large wage. Some engineers are paid a salary, while others may earn hourly pay (sometimes based on the studio's rates), or be paid per session. Many go on to start their own recording studios, or maintain a private studio or service. A few work only for a single , band, or producer.work as unpaid
Several colleges and universities in the United States and other countries offer classes in recording, which may cover its history, its uses, and of course technique and technical knowledge. Some schools offer degree or diploma programs in Recording. Graduating such a program does not guarantee a person a studio job, but increases one's chances, and can provide better preparation for such a career.
Besides studio work, some engineers have one or more specialties, such as concerts and live performances, and sometimes as in court trials, when sounds or a recording may be important to the outcome of a case.of old recordings, as to places that give
[change] Noted recording engineers
- Chuck Britz (The Beach Boys)
- Malcolm Chisholm (Chuck Berry, Bo Diddley, Little Walter, Muddy Waters, Sonny Boy Williamson, Howlin' Wolf)
- Hank Cicalo (The Monkees, George Harrison, Carole King)
- Geoff Emerick (The Beatles)
- Larry Levine (Phil Spector and artists he produced)
- Robert Honablue (George Benson, Barbra Streisand, The Young Rascals, Laura Nyro, The Chamber Brothers, Miles Davis, Dave Brubeck, and more)
- Phillip MacDonald (The Beatles)
- Ron Malo (Chuck Berry, Bo Diddley, Buddy Guy, Etta James, Little Walter, Muddy Waters, Sonny Boy Williamson, Howlin' Wolf)
- Alan Parsons (The Beatles, Alan Parsons Project)
- Norman Petty (Buddy Holly, Waylon Jennings and other artists)
- Sam Phillips (Elvis Presley, Roy Orbison, Jerry Lee Lewis, Carl Perkins)
- Stan Ross (Phil Spector and artists)
- Norman "Hurricane" Smith (The Beatles, Pink Floyd)
- James Easton Third Stream, Steve Giordano, John Swana, Steve Rudolph, Jonathan Ragonese, Jim Wood, Ron Water, Ashley Lanser, Johnny Bravo and LPE. Steve Meashey, Bob Meashey, Tom Strohman, Jim Miller, John Peifer.