Suiye, Tang Empire (now Chuy Region, Kyrgyzstan)
Dangtu, Tang Empire (now Ma'anshan, Anhui Province, China)
|Literal meaning||Lotus Householder|
Li Bai (also Li Bo or Li Po, Chinese: 李白; pinyin: Lǐ Bái / Lǐ Bó; 701–762) was a Chinese poet. His fellow poet Du Fu counted him to the group of Chinese scholars that he called the "Eight Immortals of the Wine Cup" in a poem. Li Bai is often regarded, along with Du Fu, as one of the two greatest poets in China's literary history. Today we know about 1,100 of his poems.
The first translations in a Western language were published in 1862 by Marquis d'Hervey de Saint-Denys in his Poésies de l'Époque des Thang. The English-speaking world was introduced to Li Bai's works by a Herbert Allen Giles publication History of Chinese Literature (1901) and through the liberal, but poetically influential, translations of Japanese versions of his poems made by Ezra Pound.
Li Bai is best known for the imagination and Taoist imagery in his poetry. He spent much of his life travelling. People tell the story that he fell from his boat when he tried to embrace the reflection of the moon, and therefore drowned in the Yangtze River.
Biography[change | change source]
|Pinyin:||Lǐ Bái or Lǐ Bó|
|Wade-Giles:||Li Po or Li Pai|
Early life[change | change source]
Li Bai was probably born in Central Asia, though the exact location is unknown. His ancestors had lived in exile in that area since around the 7th century. He grew up in a fairly poor family. His father was a merchant. Li Bai did not receive any formal schooling as a child. Despite this, he had always been skilled with the art of words even as a young boy. In 705, Li Bai's father moved the family back to Mien-chou in Sichuan. It was there that he spent most of his early childhood.
As Lai Bai grew up he developed his sword fighting skills. He spent his teenage years traveling all of Sichuan as a knight-errant. At age 25, he traveled to Central China. In 727, Li Bai traveled to A-lu in Hubei. He married the daughter of the retired prime minister. There, he continued to explore the natural world where he lived.
Travels[change | change source]
In 735, Li Bai traveled north to the Yellow River, and east to the Yangtze River. In 742, he traveled to Chang’an, and was presented to the Emperor. The Emperor gave Li Bai many compliments, and thought highly of him. He gave Li Bai a position at the Hanlin Academy. Li Bai received a lot of attention from fellow scholar-officials.
Li Bai enjoyed drinking liquor. He is known for often getting very drunk with seven other officials in city taverns. This earned them the title the "Eight Immortals of the Wine Cup" from Du Fu, another one of China's best poets at the time.
In 744, Li Bai left the city of Chang'an. He was bored with the luxuries of city life. A year later, he met up with Du Fu, in Loyang. It was here that he also became a Taoist, a decision that would change the rest of his life. After settling his family down in Loyang, he left on another ten-year journey wandering around northern China. During this time, his poetry reflects his shift in interest to Toasm rather than his youthful interests of knightly behaviors and gallantry. While famous and well known, Li Bai started to struggle with problems like lack of money and property.
Poetry[change | change source]
Li Bai is best known for his imaginative and witty poetry. It involves romantic descriptions of nature, and opinions on ethics and death. He was famous among both nobles and commoners in his time, and is thought of as one of the four best poets during the Tang Dynasty. He is also well known for his Taoist beliefs and rebellion against Confucian teachings through his writing.
One of Li Bai's most famous poems is Drinking Alone by Moonlight (月下獨酌, pinyin: Yuè Xià Dú Zhuó), which is a good example of some of the most famous aspects of his poetry—a very spontaneous poem, full of natural images. Li Bai actually wrote several poems with the same title; Arthur Waley's version of the most famous reads:
Philosophy[change | change source]
Li Bai’s poetry reflects the state of low feeling one experiences when he finds his life is wasted, and talents unused. To drown his own sorrows, Li Bo became very drunk very often, until it became a lifelong habit. Wine, however did help him write. While he was drunk, Li Bai was able to compose beautiful verses without restraint. Without anything holding him back, Li Bai’s finest poems were composed with much spontaneity and imagination.
Selected list[change | change source]
- 花間一壺酒。 A cup of wine, under the flowering trees;
- 獨酌無相親。 I drink alone, for no friend is near.
- 舉杯邀明月。 Raising my cup I beckon the bright moon,
- 對影成三人。 For her, with my shadow, will make three men.
- 月既不解飲。 The moon, alas, is no drinker of wine;
- 影徒隨我身。 Listless, my shadow creeps about at my side.
- 暫伴月將影。 Yet with the moon as friend and the shadow as slave
- 行樂須及春。 I must make merry before the Spring is spent.
- 我歌月徘徊。 To the songs I sing the moon flickers her beams;
- 我舞影零亂。 In the dance I weave my shadow tangles and breaks.
- 醒時同交歡。 While we were sober, three shared the fun;
- 醉後各分散。 Now we are drunk, each goes his way.
- 永結無情遊。 May we long share our odd, inanimate feast,
- 相期邈雲漢。 And meet at last on the Cloudy River of the sky.
Influence[change | change source]
Li Bai is influential in the West partly due to Ezra Pound's versions of some of his poems in the collection Cathay, such as The River Merchant's Wife: A Letter. In the east he influenced poets like Mi Fei in the Song Dynasty.
A crater on the planet Mercury has been named after him.
References[change | change source]
- D'Hervey de Saint-Denys (1862). Poésies de l'Époque des Thang (Amyot, Paris). See Minford, John and Lau, Joseph S. M. (2000)). Classic Chinese Literature (Columbia University Press) ISBN 978-0-231-09676-8.
- Pound, Ezra (1915). Cathay (Elkin Mathews, London). ASIN B00085NWJI.
- Waley, Arthur (1919). "Drinking Alone by Moonlight: Three Poems," More Translations from the Chinese (Alfred A. Knopf, New York), pp. 27–28. Li Bai wrote 3 poems with the same name; Waley published translations of all three.
Bibliography[change | change source]
- Cooper, Arthur (1973). Li Po and Tu Fu: Poems Selected and Translated with an Introduction and Notes (Penguin Classics, 1973). ISBN 978-0-14-044272-4 .
- Hinton, David (1998). The Selected Poems of Li Po (Anvil Press Poetry, 1998). ISBN 978-0-85646-291-7 .
- Waley, Arthur (1950). The poetry and career of Li Po (MacMillan Co., New York, 1950). ASIN B0006ASTS4.
- Weinberger, Eliot. The New Directions Anthology of Classical Chinese Poetry. (New York: New Directions Publishing Corporation, 2004). ISBN 0-8112-1605-5. Introduction, with translations by William Carlos Williams, Ezra Pound, Kenneth Rexroth, Gary Snyder, and David Hinton.
Other websites[change | change source]
|Wikiquote has a collection of quotations related to: Li Bai|
Online translations (some with original Chinese, pronunciation, and literal translation):
- www.chinese-poems.com 20 Li Bai poems, in Chinese, with English translations by Mark Alexander.
- New English translations of Li Po with traditional characters in Zone Magazine.