Serpents of Pakhangba
Serpents of Pakhangba (ꯁꯔꯄꯦꯟꯠ꯭ꯁ ꯑꯣꯐ ꯄꯥꯈꯪꯕ) is an avant-garde, experimental, and folk metal band from Mumbai, India. It was founded by multi-instrumentalist and producer Vishal J. Singh,[1][2] who is also known for his work with the band Amogh Symphony.[3] The group combines heavy metal with shamanic, folk, and jazz influences, drawing inspiration from Meitei mythology and the shape-shifting deity Pakhangba.[4][5]
Formation and early years
[change | change source]Serpents of Pakhangba was formed in Mumbai by Vishal J. Singh and bass player Manas Chowdhary, who also plays the didgeridoo. The early lineup included Fidel Dely Murillo, a percussionist and drummer from Panama, Dhruv Mody on sitar, and vocalist Madhura Risley.[6]
The band released its first self-titled EP in early 2019. Later that year, both Mody and Risley left the band due to other commitments. Their debut sound was described by Singh as “more accessible” than his other project, Amogh Symphony, though still experimental.[6]
Line-up changes and live debut
[change | change source]After Mody and Risley left, the band welcomed Aruna Jade, a vocalist formerly of the vocal group Aflatunes. She joined after an audition process where she demonstrated diverse vocal styles, including metal growls and Mongolian throat singing.[6]
The band’s 2019 single “Headhunters” featured complex arrangements and theatrical vocals. Although Serpents of Pakhangba faced challenges in finding venues due to their unconventional sound, they made their live debut on 2 February 2020 at the Control ALT Delete Festival in Mumbai. The set included songs from their EP and unreleased tracks like Vultures and The Forest Belongs to the Maibi. Singh described the performance as “controlled and uncontrolled chaos.”[6]
Musical themes and style
[change | change source]The band’s music blends avant-garde metal, folk, jazz, and experimental rock. Serpents of Pakhangba’s work often includes theatrical elements, storytelling, and folk traditions from Northeast India, especially from Meitei culture.[4][5][7]
Their songs deal with themes such as war, tribal practices, spirituality, human greed, and mythology. The music is often multilingual, using Manipuri, Goalparia, Japanese, and English lyrics.[4][5][7]
Singh describes their approach as “genre-shapeshifting,” a reflection of the band’s namesake — Pakhangba, a divine, shape-shifting serpent in Meitei mythology.[4][5][7]
“Panthoibi” and folk influence
[change | change source]In 2021, the band released the single “Panthoibi,” inspired by the Meitei goddess of power, war, and peace. The song and its music video, directed by Kulanandini Mahanta, feature the band members dressed in Meitei traditional attire.[8]
The lyrics explore the subject of child abuse while connecting it with the story of the goddess Panthoibi, who represents beauty, wisdom, and protection. The band explained that the goddess “exists in every woman’s strength and wisdom.”[8]
The single was produced by No Binary Records. The verses paraphrase Panthoibi Mingkheilol, an old Manipuri text that praises the goddess’s glory and power.[8]
Debut album: Serpents of Pakhangba
[change | change source]The debut full-length album continued the band’s exploration of experimental soundscapes. The group used instruments like the didgeridoo, tongue drum, violin, and Pena, blending noise rock, neo-folk, and avant-prog styles.[5][9]
Tracks such as Invocation, Headhunters, and I.M.A mix aggressive rhythms with meditative passages. The album includes both metalcore-like intensity and folk-inspired melodies, creating vivid auditory imagery.[5][9]
Songs like Mountain Spirits and The Forest Belongs to the Maibi express mystical and spiritual experiences rooted in Meitei tradition. The Maibis are women who dedicate their lives to divine worship, and the track reflects this devotion.[5][9]
Concept and mythology
[change | change source]The band’s name comes from Pakhangba, a primordial shape-shifting dragon-deity from Meitei mythology. According to founder Vishal Singh, this mythic figure represents transformation — a theme central to the band’s sound and identity.[5][7]
The music’s duality of masculine and feminine energy is expressed through the mix of metal’s aggression and folk’s spirituality. Singh draws influence from his Assamese, Punjabi, and Manipuri heritage and his family’s handwritten texts on Meitei shamanic traditions.[5][7]
Second album: Air and Fire
[change | change source]In 2025, Serpents of Pakhangba released their second studio album, Air and Fire, described as a concept album of 13 tracks. The album tells the story of an endangered shamanic tribe attacked by a corrupt political force.[4][10][7]
It combines heavy metal, folk instruments, spoken word, and multiple languages. The work includes Japanese, Manipuri, Goalparia, and English lyrics, with sounds of nature, bells, and throat singing to build atmosphere.[4][10][7]
The album features guest artists such as Pratika Prabhune, Mallika Sundaramurthy, Ambar Das, Arghadeep Barua, Victoria Villarreal, and Chaoba Thiyam. The latter contributed the Pena, a key Meitei instrument, while Nate Miller played the Erhu, a Chinese string instrument.[4][10][7]
Tracks like Carnivorous, North of Koubru, Forest Hymn, and A Wounded Leader’s Last Stand show the band’s range — from death-metal intensity to spiritual chanting. Singh described Air and Fire as an exploration of “love, hope, and rebellion” through avant-garde art.[4][10][7]
Performance and aesthetic
[change | change source]The band is known for its visual and theatrical live shows, where members wear traditional cultural costumes and face paint. Performances often include ritual-like movements and spiritual elements.[5][7]
Serpents of Pakhangba’s concerts attract diverse audiences, including metal fans, spiritual practitioners, artists, and scientists. Their merchandise, such as handmade incense, reflects the group’s shamanic philosophy.[5][7]
Philosophy
[change | change source]For Vishal Singh, “avant-garde” is not only a musical style but also a way of thinking. He believes in blending traditional and modern elements to challenge artistic boundaries.[5]
The band members practice disciplines like Tai Chi, Qigong, and sound therapy, integrating spirituality with performance. Singh, who also works as an oracle and astrologer, views music as a tool for healing and self-discovery.[5][7]
Members
[change | change source]- Current Lineup
- Vishal J. Singh – vocals, guitars, dotara, composer, producer
- Hinoki Skymoon – vocals
- Akash Skymoon – vocals, synth, turntables
- Tamara Mayela Kazziha – violin, vocals
- Varun Sood – drums, percussion
- Former Members
- Madhura Risley – vocals
- Dhruv Mody – sitar
- Aruna Jade – vocals
- Manas Chowdhary – bass, didgeridoo
Discography
[change | change source]- Extended Play
- Serpents of Pakhangba (2019)[10]
- Albums
- Serpents of Pakhangba (debut album)[10]
- Singles
Related pages
[change | change source]References
[change | change source]- ↑ Tagat, Anurag (2025-08-20). "Indian Bands We Want To See At Music Festivals". Rolling Stone India. Retrieved 2025-11-07.
- ↑ Sarma, Krishangi (2023-08-26). "How Serpents of Pakhangba brings together Meitei mysticism and music". EastMojo. Retrieved 2025-11-07.
- ↑ "MLTR to Rock Guwahati Not 'Someday' But on Sunday". The Sentinel - of this Land, for its People. 2022-11-26. Retrieved 2025-11-07.
- 1 2 3 4 5 6 7 8 Claire (2025-02-28). "Review: Serpents of Pakhangba - Air and Fire". The Progressive Subway. Retrieved 2025-11-07.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Bharat, E. T. V. (2025-01-13). "Exclusive Interview: Serpents Of Pakhangba's Vishal J Singh On Fusing Metal With Manipuri Mysticism". ETV Bharat News. Retrieved 2025-11-07.
- 1 2 3 4 5 6 7 Tagat, Anurag (2020-02-02). "Avant-Garde Act Serpents of Pakhangba Debut Live at Control ALT Delete 12". Rolling Stone India. Retrieved 2025-11-07.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 "When metal meets shamanic sounds". Deccan Herald. Retrieved 2025-11-07.
- 1 2 3 4 Tagat, Anurag (2022-06-04). "Serpents Of Pakhangba Draw From Meitei Folklore for Incendiary 'Panthoibi' Video". Rolling Stone India. Retrieved 2025-11-07.
- 1 2 3 4 Sundar, Kartik (2020-06-12). "From Frenzied to Serene, Serpents of Pakhangba's Self-Titled Album is a Meticulously Executed Tonal Rollercoaster". Retrieved 2025-11-07.
- 1 2 3 4 5 6 7 8 9 Sarma, Krishangi (2025-02-14). "Serpents of Pakhangba's 'Air and Fire': A Sonic Adventure Through Mythology and Metal". Retrieved 2025-11-07.