Career[change | edit source]
Kuniyoshi was part of the Utagawa school of artists.
The range of Kuniyoshi's subjects included landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known images of the battles of samurai and legendary heroes. His work was affected by Western art and caricature.
Tsukioka Yoshitoshi was one of his students.
List of print series[change | edit source]
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- Illustrated Abridged Biography of the Founder (c. 1831)
- Famous Views of the Eastern Capital (c. 1834)
- Heroes of Our Country's Suikoden (c. 1836)
- Stories of Wise and Virtuous Women (c. 1841-1842)
- Fifty-Three Parallels for the Tōkaidō (1843–1845)
- Twenty-Four Paragons of Filial Piety (1843–1846)
- Mirror of the Twenty-Four Paragons of Filial Piety (1844–1846)
- Six Crystal Rivers (1847–1848)
- Fidelity in Revenge (c. 1848)
- Twenty-Four Chinese Paragons of Filial Piety (c. 1848)
- Sixty-Nine Stations along the Kisokaido (1852)
- Portraits of Samurai of True Loyalty (1852)
- 24 Generals of the Kai Provence (1853)
Gallery[change | edit source]
Multi-panel impressions, tryptichs[change | edit source]
Yoko-e, a print in horizontal or "landscape" format[change | edit source]
At the shore of the Sumida River
Single panel format[change | edit source]
Themes[change | edit source]
Kuniyoshi made many images of cats.
Kuniyoshi made images which were caricatures.
References[change | edit source]
- Nussbaum, Louis Frédéric et al. (2005). "Kuniyoshi" in Japan Encyclopedia, p. 576.
- Nussbaum, "Utagawa-ryū" at p. 1018.
- Lubow, Arthur. "Everything But the Robots: A Kuniyoshi Retrospective Reveals the Roots of Manga," New York Magazine. March 7, 2010; retrieved 2012-3-29.
- "Yōshū Chikanobu [obituary]," Miyako Shimbun, No. 8847, October 2, 1912. p. 195.
- Kitagawa, Hiroshi et al. (1975). The Tale of the Heike, pp. 511-513.
- Nussbaum, "Miyamoto Musashi" at p. 650.
- Nussbaum, "Kakinomoto no hitomaro" at p. 456.
Other websites[change | edit source]
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