William Gibson
| William Gibson | |
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Portrait of Gibson in Paris during an interview on his 60th birthday, March 17, 2008 |
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| Born | March 17, 1948 Conway, South Carolina |
| Occupation | Novelist |
| Citizenship | United States, Canada |
| Period | 1977– |
| Genres | speculative fiction |
| Literary movement | cyberpunk, steampunk, postcyberpunk |
| Notable work(s) | Neuromancer (novel, 1984) |
| Notable award(s) | Nebula, Hugo, Philip K. Dick, Ditmar, Seiun, Prix Aurora |
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Influences
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Influenced
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williamgibsonbooks.com |
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William Gibson (born March 17, 1948) writes science fiction. He is one of the most important people in the part of science fiction called Cyberpunk. His most famous book is Neuromancer.
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Early life [change]
Childhood, moving around, and adolescence [change]
William Ford Gibson was born in Conway, South Carolina on the Atlantic coast. He spent most of his childhood in Wytheville, Virginia. Whytheville is a small town in the Appalachians. His parents had been born and raised there.[16][17]
Gibson was shy and awkward as a teenager. He grew up in a place and time where most people thought and acted alike. This was a problem for him.[18] He chose not to believe in religion. He read science fiction and writers such as William S. Burroughs and Henry Miller.[19][20] Gibson was not doing well in school and his mother was frustrated. She threatened to send him to a boarding school. She was very surprised when he liked this idea very much.[21]
Avoiding the military, leaving home, and counterculture [change]
Gibson's mother died when he was eighteen years old. He left school and did not graduate. He traveled a lot. He became very interested in the counterculture. He left the United States and moved to Canada during the Vietnam War draft.
After graduation, early writing, and the beginning of cyberpunk [change]
Gibson finished a graduate degree about science fiction. He stopped writing for one year. He did not like the trends he saw in SF. He was more interested in punk rock. He met other writers such as Bruce Sterling, Lewis Shiner, and Rudy Rucker. These writers became the important members of the cyberpunk movement in SF.
Literary career [change]
Early short fiction [change]
Gibson's first published short story was "Fragments of a Hologram Rose" (1977). He wrote other short stories for magazines such as Omni. He was often compared to J. G. Ballard. Some of the characters and places in his short stories are also in his Sprawl novels.
Neuromancer [change]
- The sky above the port was the color of television, tuned to a dead channel.
- --the first sentence of Neuromancer (1984)
Terry Carr asked Gibson to write Neuromancer for the third series of Ace Science Fiction Specials. The purpose of the series was to give attention to first-time novelists.[22]
The Sprawl trilogy, The Difference Engine, and the Bridge trilogy [change]
Neuromancer was a success and Gibson kept writing SF. The Sprawl trilogy continued the story of Neuromancer, even though Gibson did not plan to write any sequels. Then he explored other ideas. The Difference Engine was alternat history. In The Bridge trilogy, Gibson wrote about new problems. He paid less attention to large corporations or artificial intelligence. He wrote more about mass media and celebrity.
Later novels [change]
Gibson's later books are more realistic. They include Pattern Recognition, Spook Country, and Zero History.
Other kinds of writing [change]
Working with other writers [change]
He has written short stories and novels with others, especially other cyberpunk authors John Shirley and Bruce Sterling.
Film [change]
There have been many attempts to make films based on Gibson's writing. Most of these have never been completed.
Shows, poetry, music, and performance art [change]
Gibson has written poems too. He has also worked with artists, architects, and musicians.
In 1990, Gibson was part of an exhibit at the San Francisco Museum of Modern Art called "Visionary San Francisco".[23] He wrote a short story, "Skinner's Room", that took place in San Francisco. In the story, the San Francisco – Oakland Bay Bridge was closed and became a community for homeless people. Architects Ming Fung and Craig Hodgetts were interested in the story and imagined a future San Francisco. Their idea of the future showed rich people living in high-tech towers above a city that was falling apart.[24] Gibson was part of the architects' exhibit. Visitors could watch a video of him discussing the future and reading from the story "Skinner's Room".[25] Another version of the short story appeared a year later in Omni magazine.[26]
In 1993, Gibson wrote some lyrics for the album Technodon by the Japanese group Yellow Magic Orchestra. He was the vocalist on the track "Hi-Tech Hippies".[25][27] He wrote lyrics to the track "Dog Star Girl" on Deborah Harry's Debravation.[28]
Essays and short nonfiction [change]
Gibson sometimes writes nonfiction for newspapers or magazines. He has written essays, opinion-editorials, and commentary for publications such as: Wired, The New York Times, The Observer, Addicted to Noise, New York Times Magazine, Rolling Stone, and Details Magazine.
Influence and recognition [change]
Ideas about cities [change]
In his fiction and non-fiction, Gibson often writes about cities. He thinks many cities are losing variety. One way of describing this is "Disneylanding".[29]
Importance in the culture [change]
Many writers believe that Gibson helped science fiction become cool.
Important ideas and seeing the future [change]
His work seemed did not just predict the future of technology such as the World Wide Web. The ideas in his books were important to the people who created Internet technology.
Some writing by Gibson [change]
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- Nonfiction
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References [change]
- ↑ 1.0 1.1 Gibson, William (2003-01-28). "The Matrix: Fair Cop". http://www.williamgibsonbooks.com/blog/2003_01_01_archive.asp#90244012. Retrieved 2007-11-04.
- ↑ 2.0 2.1 Gibson, William (2007-01-13). "Philip K. Dick". http://www.williamgibsonbooks.com/blog/2003_01_01_archive.asp#90180207. Retrieved 2007-11-04.
- ↑ Gibson, William (July 2005). "God's Little Toys: Confessions of a cut & paste artist". Wired.com. http://www.wired.com/wired/archive/13.07/gibson.html. Retrieved 2007-11-04.
- ↑ Cite error: Invalid
<ref>tag; no text was provided for refs namedlooking_glass. - ↑ Rapp, Alan E. (1999-04-29). "You Can Never Read Too Much Into It". Arts & Entertainment. Salon.com. http://www.salon.com/ent/movies/int/1999/04/29/cronenberg/index.html. Retrieved 2007-11-06.
- ↑ Gibson, William (2003-01-18). "Influences Generally". http://www.williamgibsonbooks.com/blog/2003_01_01_archive.asp#90199532. Retrieved 2007-11-26.
- ↑ Cite error: Invalid
<ref>tag; no text was provided for refs namedsalon_interview. - ↑ 8.0 8.1 8.2 McCaffery, Larry (1991). "An Interview with William Gibson". Storming the Reality Studio: a casebook of cyberpunk and postmodern science fiction. Durham, North Carolina: Duke University Press. pp. 263–285. ISBN 978-0-8223-1168-3. OCLC 23384573. http://project.cyberpunk.ru/idb/gibson_interview.html. Retrieved 2007-11-05.
- ↑ Tatsumi, Takayuki (1988) (in Japanese). Saibapanku Amerika =: Cyberpunk America. Tokyo: Keiso Shobo. ISBN 978-4-326-09824-8. OCLC 22493233.
- ↑ Cite error: Invalid
<ref>tag; no text was provided for refs namedcrier. - ↑ Cite error: Invalid
<ref>tag; no text was provided for refs namedsogo. - ↑ Call, Lewis, "Anarchy in the Matrix: Postmodern Anarchism in the Novels of William Gibson and Bruce Sterling", Anarchist Studies, Volume 7, No. 2.
- ↑ Dyer-Bennet, Cynthia. "Cory Doctorow Talks About Nearly Everything". Inkwell: Authors and Artists. The Well. http://www.well.com/conf/inkwell.vue/topics/95/Cory-Doctorow-Talks-About-Nearly-page02.html#post43. Retrieved 2007-08-30.
- ↑ Morgan, Richard. "Recommended Reading List". http://www.richardkmorgan.com/articles/recommended-reading-list/. Retrieved 2010-07-04.
- ↑ Gevers, Nick. "Charles Stross' dense stories have made him a Singularity sensation". Scifi.com. Archived from the original on October 11, 2007. http://web.archive.org/web/20071011224548/http://www.scifi.com/sfw/issue343/interview.html. Retrieved 2007-11-22.
- ↑ Cite error: Invalid
<ref>tag; no text was provided for refs namedsourcecode. - ↑ Adams, Tim; Emily Stokes, James Flint (2007-08-12). "Space to think". Books by genre (London: The Observer). http://books.guardian.co.uk/departments/sciencefiction/story/0,,2146989,00.html. Retrieved 2007-10-26.
- ↑ Cite error: Invalid
<ref>tag; no text was provided for refs namednewscientist. - ↑ Marshall, John (2003-02-06). "William Gibson's new novel asks, is the truth stranger than science fiction today?". Books (Seattle Post-Intelligencer). http://www.seattlepi.com/books/107368_gibson06.shtml. Retrieved 2007-11-03.
- ↑ Cite error: Invalid
<ref>tag; no text was provided for refs namednomaps. - ↑ Cite error: Invalid
<ref>tag; no text was provided for refs namedsale. - ↑ Gibson, William (2003-09-04). "Neuromancer: The Timeline". http://www.williamgibsonbooks.com/blog/2003_09_01_archive.asp#1062520986072822474. Retrieved 2007-11-26.
- ↑ Polledri, Paolo (1990). Visionary San Francisco. Munich: Prestal. ISBN 3-7913-1060-7. OCLC 22115872.
- ↑ Cite error: Invalid
<ref>tag; no text was provided for refs namedarchitecture. - ↑ 25.0 25.1 S. Page. "William Gibson Bibliography / Mediagraphy". http://www.skierpage.com/gibson/biblio.htm. Retrieved 2008-02-09.
- ↑ Gibson, William (November 1991). "Skinner's Room". Omni.
- ↑ "Yellow Magic Orchestra - Technodon". Discogs. http://www.discogs.com/release/432896. Retrieved 2011-07-29.
- ↑ Pener, Degen (1993-08-22). "EGOS & IDS; Deborah Harry Is Low-Key -- And Unblond". The New York Times. http://www.nytimes.com/1993/08/22/style/egos-ids-deborah-harry-is-low-key-and-unblond.html. Retrieved 2011-07-29.
- ↑ Shattuck, Aaron; Gary Stix (August 19, 2011). "Cities in Fact and Fiction: An Interview with William Gibson". Scientific American, a Division of Nature America, Inc.. http://www.scientificamerican.com/article.cfm?id=gibson-interview-cities-in-fact-and-fiction. Retrieved 2011-08-17.
Other websites [change]