Peter Brötzmann
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Peter Brötzmann | |
|---|---|
.jpg) Brötzmann in August 2017 | |
| Background information | |
| Born | 6 March 1941 Remscheid, North Rhine-Westphalia, Germany |
| Genres | Free jazz, avant-garde jazz, free improvisation |
| Occupation(s) | Musician |
| Instruments | Tenor saxophone, alto saxophone, baritone saxophone, tárogató, clarinet, bass clarinet |
| Years active | 1967–present |
| Associated acts | Globe Unity Orchestra, Peter Kowald, Cecil Taylor, Last Exit, Derek Bailey, William Parker, Die Like a Dog Quartet, Sven-Åke Johansson, Evan Parker, Buschi Niebergall, Fred Van Hove, Han Bennink, Willem Breuker, Paal Nilssen-Love |
Peter Brötzmann (born 6 March 1941) is a German free jazz saxophonist and clarinetist.
Brötzmann has appeared on over 100 albums.[1][2]
Works[change | change source]
- For Adolphe Sax (1967)
- Machine Gun (1968)
- Nipples (1969)
- More Nipples (1969)
- Fuck de Boere (Dedicated to Johnny Dyani) (1970)
- Solo (1976)
- Alarm (1981)
- 14 Love Poems (1984)
- No Nothing (1991)
- Dare Devil (1992)
- The März Combo Live in Wuppertal (1993)
- Nothing to Say (Dedicated to Oscar Wilde: A Suite of Breathless Motion) (1996)
- Sprawl (1997)
- Right as Rain (Dedicated to Werner Lüdi) (2001)
- Usable Past (2002)
- Lost & Found (2009)
References[change | change source]
- ↑ "Interviews, discographies". Efi.group.shef.ac.uk. Retrieved 2012-06-25.
- ↑ "Albums by Peter Brötzmann". Rate Your Music. Retrieved 2012-06-25.
This short article about a person or group of people can be made longer. You can help Wikipedia by adding to it.