The Last Judgement (Michelangelo)

From Simple English Wikipedia, the free encyclopedia
The Last Judgement by Michelangelo
St. Bartholomew displaying his flayed skin (a self-portrait by Michelangelo) in The Last Judgment.

The Last Judgment is a fresco by Michelangelo painted on the altar wall of the Sistine Chapel in Vatican City. Clement VII commissioned the painting in 1534, the last year of his papacy. After the election of Paul III Farnese, Michelangelo, aged 61, began work in 1536. He completed the Last Judgement in the autumn of 1541.

The Last Judgment shows the Second Coming of Christ, as described by John the Evangelist in the apocalypse. The painting depicts the moment when the living and dead are judged by Christ, and their souls consigned to heaven or hell.

The painting was not unanimously admired at the time. Due to his depiction of holy persons in the nude, with exposed genitals, Michelangelo was accused of immorality and obscenity. The cardinal said that this could not be tolerated inside the most important church of Christianity. A censorship campaign was started, known as the "Fig-leaf campaign". Carafa and Monsignor Sernini (Mantua's ambassador) launched the campaign to remove the frescoes. When the Pope's own Master of Ceremonies, Biagio da Cesena, said "it was mostly disgraceful that in so sacred a place there should have been depicted all those nude figures, exposing themselves so shamefully," and that it was no work for a papal chapel but rather "for the public baths and taverns," Michelangelo worked the Cesena's semblance into the scene as Minos, judge of the underworld (far bottom-right corner of the painting). It is said that when Cesena complained to the Pope, the pontiff responded that his jurisdiction did not extend to hell, so the portrait would have to remain.

The genitalia in the fresco were later covered by the artist Daniele da Volterra, whom history remembers by the derogatory nickname "Il Braghettone" ("the breeches-painter").

In the painting, Michelangelo does a self portrait depicting himself as St. Bartholomew after he had been flayed (skinned alive) This is reflective of the feelings of contempt Michelangelo had for being commissioned to paint the Last Judgement.[1]

References[change | change source]

  1. Dixon, John W. Jr. "The Terror of Salvation: The Last Judgment". Archived from the original on 2007-08-14. Retrieved 2007-08-01.