The Steadfast Tin Soldier

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"The Steadfast Tin Soldier"
Vilhelm Pedersen, DK2-0006, ubt.jpeg
Illustration by Vilhelm Pedersen
Author Hans Christian Andersen
Original title Den standhaftige Tinsoldat
Country Denmark
Language Danish
Characters Tin Soldier
Paper Ballerina
Jack in the Box
Genre(s) Literary fairy tale
Published in Fairy Tales Told for Children
Publication type Fairy tale collection
Publisher C. A. Reitzel
Media type Print
Publication date 2 October 1838
Notable adaptations The Steadfast Tin Soldier (Ballets by Bournonville and Balanchine)

"The Steadfast Tin Soldier" is a literary fairy tale by Hans Christian Andersen. The story was first published in Copenhagen, Denmark by C.A. Reitzel on 2 October 1838 in the first booklet of Fairy Tales Told for Children. The booklet includes Andersen's "The Daisy" and "The Wild Swans". The story was Andersen’s first story not based upon a folk tale or a literary model. "The Steadfast Tin Soldier" has been adapted to various media including ballet and animated movie.

The story tells of a tin soldier who loves a paper ballerina. He falls from the window in the toy room. After many adventures, he is returned to the toy room. A little boy throws the tin soldier in the fire. A breeze blows the paper ballerina into the fire. The two toys are destroyed together.

Joan G. Haahr writes in The Oxford Companion to Fairy Tales: "The story is unusual among Andersen's early tales, both in its emphasis on sensual desire and in its ambiguities. Blind fate, not intention, determines all events. Moreover, the narrative questions the very decorum it praises. The tin soldier's passive acceptance of whatever happens to him, while exemplifying pietistic ideals of self-denial, also contributes to his doom. Were he to speak and act, the soldier might gain both life and love. Restrained, however, by inhibition and convention, he finds only tragedy and death. The tale is often read autobiographically, with the soldier viewed as symbolizing Andersen's feelings of inadequacy with women, his passive acceptance of bourgeois class attitudes, or his sense of alienation as an artist and an outsider, from full participation in everyday life."[1]

Notes[change | change source]

  1. Zipes, p. 497

References[change | change source]

  • Zipes, Jack (Ed.) (2003), The Oxford Companion to Fairy Tales: The Western Fairy Tale Tradition from Medieval to Modern, Oxford and New York: Oxford University Press, ISBN 0-19-860509-9
      

Other websites[change | change source]