1812 Overture

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The 1812 overture complete with cannon fire was performed at the 2005 Classical Spectacular.

Pyotr Ilyich Tchaikovsky wrote the Festival Overture "The Year 1812" in E major, Op. 49 (French: Ouverture solennelle "L'Année 1812"; Russian: Торжественная увертюра 1812 года, Toržestvennaja uvertjura 1812 goda) to remember Russia's 1812 defense against Napoleon's advancing Grande Armée at the Battle of Borodino, during the French invasion of Russia. The Overture was first presented to the public in the Cathedral of Christ the Saviour in Moscow on August 20, 1882 (NS; the OS date was 8 August). The overture is best known for its climactic volley of cannon fire and ringing chimes. While this piece has no historical connection with United States history, it is often used at Fourth of July celebrations.

[change] Recording history

  • A 1927 Cleveland recording contains dozens of bass drum "shots" at random in the final moments of the piece.
  • A Royal Opera Orchestra recording of about the same time contains no shots at all. Various more recent recordings feature modern or antique artillery firing in approximation of the score, and other improvisations and bell sounds from tubular chimes to fake bell sounds which do no zvon ringing.
  • Antal Dorati’s landmark 1954 Mercury Records recording with the Minneapolis Symphony Orchestra (recorded in mono in 1954 and in stereo in 1958), partially recorded at West Point, and using the Yale Memorial Carillon (then a mere chime) in Hartford, Connecticut, uses a period French single muzzleloading cannon shot dubbed in 16 times as written, and was such an advancement in authenticity that on the first edition of the recording, one side played the Overture and the other side played a narrative by Deems Taylor about how the feat was accomplished. The stereophonic version was recorded on April 5, 1958 using the bells of the Laura Spelman Rockefeller Memorial Carillon, at Riverside Church. On this Mercury Living Presence Stereo recording the spoken commentary was also given by Deems Taylor and was coupled with Tchaikovsky's "Capriccio Italien". Later editions coupled the 1812 Overture with Dorati's recording of Beethoven's Wellington's Victory, which featured the London Symphony Orchestra and real cannons.

[change] Notable performance venues

[change] Media use or reference to the overture

Tchaikovsky's 1812 is sometimes mentioned in other artistic creations, most of the time where conflict is an important theme. Examples include: