Marin Marais (31 May1656, Paris – 15 August1728, Paris) was a Frenchcomposer and viol player. He studied composition with Jean-Baptiste Lully. Marais often conducted the operas Lully had written. He also studied with Monsieur de Sainte-Colombe for 6 months. De Sainte-Colombe was a master at playing the bass viol. Marais was hired as a musician in 1676 to play at the royal court of Versailles. He did quite well as court musician. In 1679 he was appointed "ordinaire de la chambre du roy pour la viole", a title he kept until 1725.
He was a master of the basse de viol. He wrote a lot of music for that instrument, he was the most important French composer for it. He wrote five books of Pièces de viole (1686-1725). Most of the pieces in the book are suites with basso continuo. These were quite popular in the court, and for these he was remembered in later years as he who "founded and firmly established the empire of the viol" (Hubert Le Blanc, 1740). His other works include a book of Pièces en trio (1692) and four operas (1693-1709). Alcyone (1706) is well known for its storm scene.
Titon du Tillet wrote about Marais in his book Le Parnasse françois. He describes a piece from Marais' fourth book called The Labyrinth, which, he says, goes through lots of keys. He says that the notes which are often dissonant, sometimes fast, sometimes slow, describe a man caught in a labyrinth. Eventually the man comes out of it happily and the music finishes with a gracious and natural chaconne. Another piece called La Gamme [The Scale], very gradually goes up the steps of the octave and then down again.
As with Sainte-Colombe, little of Marin Marais' personal life is known after he reached adulthood. Marin Marais married a Parisian, Catherine d'Amicourt, on September 21, 1676. They had 19 children together.
Facsimiles of all five books of Marais' Pièces de viole are published by Éditions J.M. Fuzeau. A complete critical edition of his instrumental works in seven volumes, edited by John Hsu, is published by Broude Brothers.
Marais and his music were featured in the movie Tous les matins du monde (1991). The movie shows a detailed, imagined life of Monsieur de Sainte-Colombe. Marais' music is heard a lot, including his longer work Sonnerie de Ste-Geneviève du Mont-de-Paris (1723). A recording of the Sonnerie performed on a Fairlight synthesizer was used in the cult classic film Liquid Sky.