Nôm is a script formerly used in Vietnam. It involved the use of Chinese characters to write Vietnamese. The Van Ban bell, engraved in 1076, has the earliest known example of a Nôm inscription. The earliest surviving Nôm literature dates from the 13th century. The script was in common use until the 1920s. It was replaced by the Vietnamese alphabet. The Vietnamese alphabet is a form of the Latin alphabet.
Classical Chinese was used by the royal court and for other official purposes. The Temple of Literature in Hanoi was the best-known school for the study of Chinese. Students who passed the civil service examinations could go on to become magistrates. Confucian scholars saw Chinese as the language of education and looked down on Nôm, while popular opinion favored Nôm. Only a small percentage of the population was literate in any language, but nearly every village had at least one person who could read Nôm.
In Nôm, a Vietnamese word can be written using a Chinese character for a word with a similar meaning or pronunciation. Each character represents an idea. Such characters are called "ideographs." In addition, each character represents a syllable, or sound. Because traditional characters have this dual property, nearly every syllable in modern Vietnamese has acquired a semantic meaning. Like Chinese, Vietnamese is a tonal language. Since the issue of tone does not arise for Japanese or Korean, native phonetic scripts could develop for these languages without this complicating factor.
Sino-Vietnamese characters were eventually displaced by an alphabetic script. Unlike alphabets used elsewhere, the Vietnamese alphabet has marks to indicate tone. In contrast to South Korea and Japan, modern Vietnam does not require students to study the traditional characters. Fewer than 100 scholars worldwide can read Nôm. Vietnamese literature written in Nôm, including classics like Tale of Kieu and the poetry of Ho Xuan Huong, can now be read only in translation. However, character calligraphy remains popular as a home decoration and as a symbol of good luck. The Han-Nom Institute, founded in 1970, collects and studies relevant manuscripts. The Nôm Ideographs were added to Unicode in 2001. Unicode is an international electronic encoding standard.
Language issues[change | change source]
Chinese characters are used to write various languages in China and elsewhere, including Mandarin, the most widely spoken language in China, Cantonese, spoken in Hong Kong and southern China, and Classical Chinese, traditionally used for formal writing. The characters were formerly used in Korea and in Vietnam. Japan uses a mix of Chinese characters and native phonetic script. Even characters that retain their original meaning in all languages may be read in various ways. The character 十 is given as shí in Chinese romanization (pinyin), jū in Japanese romanization (Hepburn), sip in Korean romanization (Revised Romanization), and thập in the Han-Viet system used in Vietnam. In all these languages, the meaning of the character is “ten.”
Syntax[change | change source]
Modifiers normally come before the noun in Chinese, but follow the noun in vernacular Vietnamese. Chinese texts published in Vietnam often included a line-by-line translation into Nôm.[note 1] Even when the same characters appear in both languages, the order is different. Many Chinese phrases gained currency as loan words. Later, the word order could be reversed to correspond to normal Vietnamese syntax. The word "Vietnam" is from Chinese Nányuè (南越), meaning “Southern Yue”. In Han-Viet, the same characters are read as Nam Việt. The word order was reversed in modern times. In Chinese, the phrase “Chinese characters” is written 漢字. This is romanized as hànzì in pinyin, kanji in Japanese, hanja in Korean, and Hán tự in Han-Viet. In modern Vietnamese, they are chữ Hán.
Character construction[change | change source]
The majority of the characters used in Nôm are of Chinese origin and are composed phonosemantically. For example, the character "喃" is read as "Nôm", whose phonetic component "南" similar to the Cantonese pronunciation Naam4 and means “chattering.”[note 2] This rule is consistent in all Chu Nôm characters as all Vietnamese made characters are composed using this method. The word "Nôm" does not have any negative connotation in Vietnamese, but rather suggests plain talk, something easy to understand.
Nôm includes thousands of characters not found in Chinese. In contrast, Japan developed only a few hundred kokuji, Korea just a handful of rarely used gukja. These characters were created by authors who combined pre-existing elements. One element, called the semantic component, indicates the character's meaning, either pictographically or ideographically. The other element, called the phonetic component, gives pronunciation. For example, the reading ba is indicated by the character 巴. In Mandarin, this character has the same pronunciation as in Vietnamese, but it's meaning is unrelated: "to long for." For the character 𠀧 (⿺巴三), the character 三 which means "three" is added as the semanic component. "Father" is also ba, but written as 爸 (⿱父巴). "Turtle" is con ba ba (昆蚆蚆; ⿰虫巴). Most Chinese characters were created by the same method. As the correspondence between sound and meaning is compounded in Vietnamese created characters than it is in Chinese characters, the same approach resulted in two distinctions between Nôm characters; chữ Nôm (字喃; native characters) and Hán Nôm (漢喃; Han characters).
Of the 9,299 Nôm Ideographs, nearly half are specific to Vietnam. Each character has a codepoint assigned by Unicode. The characters for the V0, V1, and V2 sets were extracted from two Nôm dictionaries published in the 1970s.[note 3] The V3 characters were extracted from manuscripts.
|Reading||English||Status in Chinese||Codepoint||V Source||Total in set|
|妖||女||夭||yêu||to love[note 5]||GB 2312||U+5996||V1||3,311|
|㐱||人||彡||chỉn or xỉn||Used in bủn xỉn (stingy)||HDZ, Kangxi||U+3431|
|Key: GB 2312-80 is the basic character set for modern Chinese. HDZ (Hanyu Da Zidian) and the Kangxi Dictionary are comprehensive Chinese character dictionaries.|
Sources: The Unicode Consortium & 1991-2013 harvnb error: no target: CITEREFThe_Unicode_Consortium1991-2013 (help), The Unicode Consortium 2012. The readings are from the Vietnamese Nôm Preservation Foundation.
History[change | change source]
Chinese characters were introduced to Vietnam after the Han Empire conquered the country in 111 BC. Independence was achieved in 939, but the Chinese writing system was adopted for official purposes in 1010. Vietnamese began to use Chinese characters to write in their own language at about this time. The Van Ban bell, engraved in 1076, is the earliest known example of a Nôm inscription. Nguyen Thuyen composed Nôm poetry in the 13th century. However, none of his work has survived. The oldest surviving Nôm text is the collected poetry of King Tran Nhan Tong, written in the 13th century. Many Nôm documents were destroyed by the Chinese during the Ming occupation of 1407-1428. Nguyen Trai (1380–1442) wrote both Chinese and Nôm literature in the 15th century. Trinh Thi Ngoc Truc, consort of King Le Than Tong, is credited with a 24,000-character bilingual Chinese-to-Vietnamese dictionary written in the 17th century.
Unlike Chinese, Nôm was not studied or classified systematically for most of its history. Vietnamese authors who had studied Chinese applied the principles of Chinese writing to their native language. Although official records were generally kept in Chinese, Nôm was used under two short-lived dynasties, the Ho dynasty (1400-1407) and the Tay Son (1778–1802). King Minh Mang (1820-1841) opposed literacy and the use of Nôm. In 1838, Jean-Louis Taberd wrote a Nôm dictionary that eventually gained general acceptance and wide circulation. In 1867, Catholic scholar Nguyen Truong To petitioned King Tu Duc to replace Classical Chinese with Nôm in official usage. The king did not consent to this, but he did respond with various efforts to promote Nôm. A decree was issued entitled "Please respect quốc âm [the national voice]."[note 7]
In the 19th century, there was a flowering of popular literature written in Nôm, including such classics as Nguyen Du's The Tale of Kieu and the poetry of Ho Xuan Huong. Although only 3 to 5 percent of the population was literate, nearly every village had someone who could read Nôm aloud for the benefit of other villagers.
In Korea and Japan, the traditional writing system was simplified so it could be taught to the general public. Vietnam's educated class looked down on Nôm as inferior to Chinese, so it was not interested in doing the work required to simplify and standardize the system so that it could be used for mass communication.
Like Chinese, Vietnamese is a tonal language. It has nearly 5,000 distinct syllables, far more than other East Asian language do. Phonetic scripts used elsewhere, including hangul in Korea and kana in Japan, do not indicate tone, so they cannot be applied to the Vietnamese language. As in Chinese, a semantic meaning is attributed to every syllable. This characteristic of the language may be can considered a result of the traditional writing system.
Beginning in the late 19th century, the French colonial authorities promoted the use of the Vietnamese alphabet, which they viewed as a stepping stone toward learning French. Language reform in other Asian nations stimulated Vietnamese interest in the subject. Following the Russo-Japanese War of 1905, Japan was often cited as a model for Asian modernization. Nationalists embraced the alphabet as quốc ngữ (the national language), and as a tool for promoting literacy. The Confucian education system was compared unfavorably to the Japanese system of public education. Nationalist writer Phan Boi Chau encouraged the young to "study in the East," meaning Japan.
The popularity of Hanoi's short-lived Tonkin Free School suggested that broad reform was possible. In 1910, the colonial school system adopted a "Franco-Vietnamese curriculum," which emphasized French and alphabetic Vietnamese. The teaching of Sino-Vietnamese characters was discontinued in 1917. On December 28, 1918, King Khai Dinh declared that the traditional writing system no longer had official status. The civil service exam was given for the last time at the imperial capital of Hue on January 4, 1919. This exam tested knowledge of Chinese. The examination system, and the education system based on it, had been in effect for almost 900 years. China itself abandoned Classical Chinese soon afterward as part of the May Fourth Movement.
In the 1920s, the Vietnamese alphabet became the country’s dominant writing system. By the 1930s, the use of Sino-Vietnamese characters was largely restricted to books with limited woodbock printings intended for the Buddhist clergy. In more recent times, the traditional characters have been used mainly in calligraphy, such as wedding decorations. In 2012, manuscripts in Classical Chinese were translated to support Vietnam's claim to the Paracel Islands.
Most common characters[change | change source]
The following are the twenty five most common characters in Nôm literature. The modern spelling is given in italics.
- 羅 là to be
- 吧 và and
- 各 các each; every
- 没 một one
- 固 có there is
- 𧵑 của of
- 得 được to get
- 𥪝 trong in
- 𤄯 trong clear
- 𠊛 or 𠊚 người people
- 忍 những (plural marker)
- 學 học to learn
- 如 như as
- 詞 từ word
- 會 hội to meet
- 咍 hay or; good
- 空 không not
- 体 thể body
- 四 tư four
- 拱 cũng also
- 𠇍 với with
- 朱 cho to give
- 社 xã society, company
- 尼 này, nơi place
- 底 để to place
Notes[change | change source]
- Of the 366 medical references listed in Trần Nghĩa & Gros 1993, 186 are in Chinese, 50 in Nôm, and 130 in a mixture of the two scripts. (Khắc Mạnh Trịnh 2006) Such bilingual material can be compared to kanbun, used in Japan.
- This character (Nôm, 喃) is identical to the character for “chattering” and is derived from it. (Lê Quý Ngưu & Trương Đình Tín 2007, Vol. 1, p. 1406.) So Nôm does not mean “southern" (nam, 南), as sometimes claimed.
- Vũ Văn Kính & Nguyễn Quang Xỷ 1971 and Hồ Lê 1976
- The remainder means “father.” The character reflects the view that a king is a father figure for the nation.
- The radical means "woman," so this character suggests romantic love.
- The dictionary character for "red" is 𧺃 (đỏ). This is a manuscript variant.
- Nguyen Trai also referred to Nôm as quốc âm. His collected poetry is entitled, "Quốc âm thi tập" (Quoc Am Anthology)
Citations[change | change source]
- The codepoint for this character is U+2C5BE (𬖾). The Unicode Consortium 2012
- Marr 1984, p. 142.
- Hanna 1997, p. 77: "As a matter of fact, Vietnamese is no more monosyllabic than Chinese or other languages....What Vietnamese does share with Chinese is a monosyllabic morphology that, in my view, evolved in both languages under the influence of Chinese characters."
- Hoang 2012. sfn error: no target: CITEREFHoang2012 (help)
- Vietnamese Nôm Preservation Foundation (1999–2013), What is Nôm?
- Noboyuki 1998: "Most of the source materials from premodern Vietnam are written in Chinese, obviously using Chinese characters; however, a portion of the literary genre is written in Vietnamese, using chu nom. Therefore, han nom is the term designating the whole body of premodern written materials."
- Nguyễn Phương Mỹ, chief content developer, "mtd9 EVA, Version 5," LacViet Computing Corp. 1994-2009. See entries for “nôm” (“simple, easy to understand") and “nôm na” (“in simple terms”).
- Hanna 1997, pp. 78–79, 82.
- Nguyễn Quang Hồng 2008.
- VietnamNet (Nov 11, 2004), "International seminar on Nom script", Communist Party of Vietnam Online Newspaper
- Trần Nhân Tông, Cư trần lạc đạo phú
- McLeod & Thi Dieu Nguyen 2001, p. 68.
- Viết Luân Chu 2003, p. 52.
- Marr 1984, p. 141: "Some of the problem lay in the tonal and nonagglutinative nature of Vietnamese as contrasted with Japanese or Korean."
- Popkin, Samuel L., The Rational Peasant: The Political Economy of Rural Society in Vietnam, p. 116. "The use of Chu Nom...would have greatly increase literacy, which is precisely why it found so little favor.
- Taberd 1838: This is a revision of an unpublished dictionary Pierre-Joseph Pigneau de Béhain wrote in 1772-1773. A reprint in 1884 was quite successful.
- Quyen Vuong Dinh, p. 50. In Vietnamese, the title of the decree is, Xin khoan dung Quốc Âm ("Please respect the national voice.").
- Hanna 1997, p. 78.
- Marr 1984, pp. 141–142: "Known subsequently as nom, this unique Vietnamese script unfortunately remained even more unwieldy than the Chinese from which it was spawned. Unlike Japanese kana or Korean hangul, there was no process of character simplification that resulted in a basic set of phonemes or syllables."
- Marr 1984, p. 142: "More important, however, was the attitude of most Vietnamese literati, who continued to regard Chinese as the ultimate in civilized communication and thus considered nom a form of recreation...Meanwhile, the minority of the literati who took nom writing seriously had to be careful not to offend the fraternity or be accused of subversion through circulating 'vulgar' texts."
- Phùng Thành Chủng 2009
- VietnamNet (July 18, 2011), "Hoi An, a central ancient city recognized as UNESCO’s World Heritage site, will hold free monthly classes on Han – Nom calligraphy to promote its cultural root."
- Viet Nam News (Sept. 27, 2012). "Da Nang's Study Encouragement Association introduced ancient documents translated from Han Chinese script into Vietnamese at their new Han Nom centre on Monday."
- Comparison of Character Sets, Chunom.org, archived from the original on 2013-06-16, retrieved 2013-12-11
Bibliography[change | change source]
- Hanna, William C. (1997), Asia's orthographic dilemma, Honolulu: University of Hawaii Press, ISBN 978-0824818920
- Hồ Lê, ed. (1976), Bảng tra chữ Nôm [Nôm Index], Hanoi: Institute of Linguistics, Social Sciences Publishing House. This book lists 8,187 Nôm characters.
- Hoang Trang-Lan Nguyen (Feb 14, 2012), "Vietnamese neglect Han-Nom heritage", Viet Nam News, Hanoi, archived from the original on 2013-10-29, retrieved 2013-12-11
- Hoàng Triều Ân (2003), Tự điển chữ Nôm Tày [Nôm of the Tay People], Hanoi: Social Sciences Publishing House
- Institute of Hán-Nôm Studies; Vietnamese Nôm Preservation Foundation (2008), Kho Chữ Hán Nôm Mã Hoá [Hán Nôm Coded Character Repertoire], Hanoi: Social Sciences Publishing House
- Khắc Mạnh Trịnh (2006), Nghiên cứu chữ Nôm: Kỷ yếu Hội nghị Quốc tế về chữ Nôm, Institute of Han-Nom Studies, Vietnamese Nôm Preservation Foundation
- Lê Quý Ngưu; Trương Đình Tín (2007), Đại Tự Điển Chữ Nôm [The Great Nôm Dictionary], Ho Chi Minh City: Hứa Tuấn. This is the most comprehensive Nôm dictionary with over 19,000 characters.
- Ngô Thanh Nhàn, Nôm Proper Code Table: Version 2.1 (PDF) This includes the character list for V0, the original 1993 Nôm standard.
- Nguyễn Hữu Vinh (2009), Tự điển chữ Nôm trích dẫn [Dictionary of Nôm Characters with Excerpts], Westminster, Calif.: Institute of Vietnamese Studies
- Nguyễn Quang Hồng, ed. (2006), Tự điển chữ Nôm [Nôm Dictionary], Hanoi: Education Publishing House. Hồng was the leader of the Nôm encoding project. This dictionary contains 12,000 entries.
- Nguyễn Quang Hồng (2008), Giới thiệu Kho chữ Hán Nôm mã hoá [Encoding of Han-Nom Fonts], Hanoi: Social Sciences Publishing House
- Nhóm Nôm Na (5 July 2005), "Quy trình Nôm Na: Giúp đọc Nôm và Hán Việt và chữ Nôm trên mạng", Tạp chí Nghiên cứu và Thảo luận (PDF). This article tells how the Nom Na Tong font was created.
- Noboyuki, Matsuo (1998), "The Han Nom Institute, Hanoi", Asian Research Trends: a Humanities and Social Science Review, Tokyo: Yunesuko Higashi Ajia Bunka Kenkyū Sentā, p. No. 8–10, p. 140
- Marr, David G. (1984), Vietnamese Tradition on Trial, 1920-1945, Berkeley: University of California Press, ISBN 978-0520050815
- McLeod, Mark W; Thi Dieu Nguyen (2001), Culture and Customs of Vietnam, Westport, Connecticut: Greenwood Publishing Group, ISBN 978-0313361135
- Phùng Thành Chủng (2009), Hướng tới 1000 năm Thăng Long-Hà Nội
- Đình Quyền Vương (2002), Văn bản quản lý nhà nước và công tác công văn, giấy tờ thời phong kiến Việt Nam, Hanoi: National Political Publishing House
- Taberd, A. J. L. (1838), Dictionarium Anamitico-Latinum, Bengal, India: J. Marshnam[permanent dead link]
- Terrell, Peter (2002), Langenscheidt's Pocket Dictionary Vietnamese, Berlin, Munich: Langenscheidt Publishing Group, ISBN 9781585730599
- Thanh Nhàn Ngô (2005), Manual, the Nôm Na Coded Character Set, Hanoi: Nôm Na Group Ngô's group was sponsored by the Nôm Foundation. This work was later integrated into the Hán Nôm Coded Character Repertoire (2008).
- Trần Nghĩa; Gros, Franỗois (1993), "Di sản Hán Nôm Việt Nam [The Han-Nom literary heritage of Vietnam]", Tạp chí Hán Nôm [Journal of Han-Nom Studies], 1 (14) This is a comprehensive bibliography.
- Trần Văn Kiệm (2004), Giúp đọc Nôm và Hán Việt [Help with Nôm and Han-Viet], Đà Nẵng Publishing House, Vietnamese Nôm Preservation Foundation. This book contains 17,761 Sino-Vietnamese characters. (Nhóm Nôm Na 2005)
- The Unicode Consortium (1991–2013), Unihan Database
- The Unicode Consortium (1995–2013), Unibook Character Browser
- The Unicode Consortium (2006), "Han Unification History" (PDF), The Unicode Standard, Version 5.0
- The Unicode Consortium (August 12, 2012), CJK E V8.1 M Set (PDF)
- Viết Luân Chu (2003), Thanh Hóa, thế và lực mới trong thế kỷ XXI, Hanoi: National Political Publishing House
- "Ancient Han documents on Hoang Sa Islands translated", Viet Nam News, September 27, 2012, archived from the original on October 31, 2013, retrieved December 11, 2013
- "Hoi An to teach calligraphy for free", VietnamNet, Hanoi, July 18, 2011
- Vũ Văn Kính (1994), Bảng tra chữ Nôm miền Nam [Table of Nôm in the South]
- Vũ Văn Kính (1999), Đại tự chữ Nôm [Great Nôm Dictionary], Trung tâm Học liệu This is the most widely available Nôm reference. It is an updated version of Vũ Văn Kính’s 1971 work.
- Vũ Văn Kính; Nguyễn Quang Xỷ (1971), Tự điển chữ Nôm [Nôm Dictionary], Saigon
Fonts[change | change source]
Some characters in this article may require the installation of an additional font to display properly:
- Hanamin B – This Japanese font supports nearly 90,000 characters, including those in Unicode CJK Extension C.
- Nom Na Tong “Nôm Na Tống Light” – created by the Vietnamese Nôm Preservation Foundation. It is based on characters found in Thiền Tông Bản Hạnh (The Origin of Buddhist Meditation, 1933) by Thanh Tu Thich. (Nhóm Nôm Na 2005).
- NomNaTongLight – This font, created by the Vietnamese Nôm Preservation Foundation, is based on characters found in traditional Vietnamese woodblock prints.
- Han Nom Font Set – This open source font supports over 70,000 Unicode CJK codepoints.
- Fonts for Chu Nom. How to display and use Han-Nom characters.
Other websites[change | change source]
- Chunom.org "This site is about Chu Nom, the old writing system of Vietnam."
- Vietnamese Nôm Preservation Foundation. Features a dictionary with the complete set of Sino-Vietnamese characters.
- Han-Nom Collection Archived 2013-04-03 at the Wayback Machine, digitized manuscripts held by the National Library of Vietnam.
- Han-Nom Research Institute
- Tạp chí Hán Nôm [Journal of Han-Nom Studies]
- Ngành Hán Nôm. A four-year program in Han-Nom is offered at the University of Social Sciences and Humanities of Ho Chi Minh City.
- Cách Gõ Chữ Hán Nôm - WinVNKey Software to allow the entry of Han-Nom characters by reading.
- 倉頡之友《倉頡平台2012》 Archived 2013-12-14 at the Wayback Machine Cangjie input method for Windows that allows keyboard entry of all Unicode CJK characters by character shape. Supports over 70,000 characters. Users may add their own characters and character combinations.