Swan Lake

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Swan Lake
Swanlakedecor.jpg
Act 2 set design, Moscow 1877
Choreographed by Julius Reisinger
Composed by Tchaikovsky
Libretto by Vladimir Petrovich Begitchev
Vasily Geltzer
Based on German fairy tale
Date of premiere 4 March 1877
Place of premiere Bolshoi Theatre
Moscow
Original ballet company Bolshoi Ballet
Characters Odette
Prince Siegfried
Queen Mother
Von Rothbart
Odile
Designs by Karl Valts (Acts 2 & 4)
Ivan Shangin (Act 1)
Karl Groppius (Act 3)[1]
Setting Germany
Fairy tale times[2]
Created for Pauline Karpakova and the Bolshoi Ballet, Moscow
Genre Fairy tale
Type Romantic ballet

Swan Lake is a romantic ballet in four acts. Pyotr Ilyich Tchaikovsky wrote the music. In 1871 he wrote a little ballet about swans for his nieces and nephews. He used some of the music from this ballet for Swan Lake. The story of the ballet is based on a German fairy tale. This tale was probably tweaked by Tchaikovsky and his friends during the ballet's early discussion stages.

Swan Lake is about a prince named Siegfried. He falls in love with the Swan princess, Odette. She is a swan by day, but a young woman at night. She is under a magic spell that can only be broken by a man who will make a promise to love her for all time. Siegfried makes the promise. He is tricked though by the magician who cast the spell. The ballet ends with the deaths of Siegfried and Odette.

The ballet was first performed on 4 March 1877 at the Bolshoi Theatre in Moscow, Russia. Critics looked upon it as a failure for many reasons. In 1895 some changes were made to the ballet. It was then performed at the Mariinsky Theatre in St. Petersburg, Russia. This time the critics thought Swan Lake a great success. Most performances today are based on this 1895 version.

Story of the ballet[change | change source]

Act 1: 1. Scène—The curtain rises on Prince Siegfried's birthday party. He is 21. On the next evening a grand ball will be held. He is to select a bride from six visiting princesses. Wolfgang, his tutor, introduces a band of peasants to the merrymakers. 2. Valse. 3. Scène. The Queen Mother enters. She thinks Siegfried is frivolous. The Queen Mother leaves. Benno encourages the Prince to continue the fun. 4. Pas de trois.—Dances for the peasants. 5. Pas de deux.—Dances for the merrymakers. 6. Pas d'action.—Wolfgang is drunk and collapses. 7. Sujet.—The sun sets. Siegfried suggests a final dance. 8. Danses des couppes.—The merrymakers dance a polonaise holding their goblets. 9. Finale.—A flock of swans flies overhead. Benno suggests a hunt. The Prince agrees. They set off.

Act 2: 10. Scène.—A lake shimmering in the moonlight is seen. Siegfried and his friends watch a flock of swans glide across the lake's surface. 11. Scène.—The hunters take aim. The birds are transformed into maidens. Their leader asks Siegfried why he troubles them. She says that she is the Princess Odette. She and her companions have all been changed into swans by her wicked stepmother. They are watched by her stepmother's companion Von Rothbart in the guise of an owl. Only a marriage vow can break the spell that keeps her a swan by day and a maiden by night. 12. Scène.—Siegfried says he loves Odette. She promises to attend tomorrow's ball. She warns him that her stepmother is very dangerous. 13. Danses des cygnes. 14 Scène.— Dawn breaks. Odette and her friends return to the lake as swans.

Act 3: Guests arrive in Siegfried's castle for the selection of the Prince's bride. 16. Danse du corps de ballet and des nains.—All dance, including a group of dwarves. 17. Scène.—La sortie des invités et la Valse. The six princesses arrive. 18. Scène. Siegfried does not choose a bride from among the six princesses. Von Rothbart enters with his daughter Odile. She is disguised as Odette. 19. Pas de six. The princesses dance. 20. Danse hongroise. 21. Danse espangnole. 22. Danse napolitaine. 23. Danse Mazurka. 24. Scène.—Siegfried chooses Odile as his bride, believing she is Odette. Von Rothbart flees the hall as an owl. Siegfried rushes into the night to find Odette.

  • Tchaikovsky later put a pas de deux into Act 3 that is known as the "Black Swan pas de deux".

Act 4: 25. Entr'acte. 26. Scène.—Odette's friends await her return to the lake. 27. Danse des petits cygnes. 28. Scène. Odette collapses into her companions' arms. She tells them what has happened. A storm rises. Siegfried reaches Odette. 29. Scène finale.—He begs her to forgive him. She dies of grief in his arms. He throws her crown upon the waters. The waves overwhelm him. The swans are seen gliding away across the lake.

Libretto and score[change | change source]

In 1871 Tchaikovsky was passing the summer in the Ukraine with his sister Alexandra Davydova. It was in her home at Kamenka that he wrote a short ballet about swans for her children to perform. The story of the ballet was based on "The Lake of Swans", a German fairy tale.[3] Tchaikovsky used a musical theme from this children's ballet in the mature Swan Lake. Little else is known of this ballet for children.[4]

In 1875 Vladimir Begitchev asked Tchaikovsky to write a ballet about swans. Begitchev was the official in charge of the repertory of the Imperial Theatres. Tchaikovsky accepted his invitation to write the ballet. He told Rimsky-Korsakov, "I accepted the work, partly because I want the money, but also because I have long had the wish to try my hand at this kind of music." In August he had completed sketches for two acts. He finished the ballet on 10 April 1876.[5]

It is uncertain who wrote the libretto of the ballet. Both Begitchev and the dancer Vasily Geltzer were credited in the programme.[6] They likely based it upon discussions with the artists who met at Begitchev's salon. They also used tales from Johann Musäus's Volksmärchen der Deutschen (1782–86), a collection of German fairy and folk tales.[7]

Composition[change | change source]

Tchaikovsky had no experience writing ballet music for the professional theatre when he accepted Begitchev's invitation. In 1875 he began work on Swan Lake. It was his first ballet. He studied the ballet music of other writers. He liked the music and ballets of Leo Delibes. Tchaikovsky thought Delibes's music was pretty and tuneful. Tchaikovsky however would base Swan Lake on a symphonic scale. Writing the music for Swan Lake was a way for Tchaikovsky to avoid the reality of being a homosexual in czarist Russia. Russia was a repressive state. Homosexuals were sent to prison, exiled, or banished. Symphonies did not ease the stress in the way ballet music did; he had to put too much of his inner life into symphonies. He was hired to write Swan Lake in May 1875. He completed the music in April 1876.[8] The official responsible for the music at the Bolshoi Theatre thought Tchaikovsky's music impossible to understand.[2] A leitmotif in Tchaikovsky's little ballet music for his nieces and nephews came to be called the "Song of the Swans". Tchaikovsky used this leitmotif in Swan Lake.[8][9]

Characters in the ballet[change | change source]

Pavel Gerdt as Prince Siegfried in the 1895 St. Petersburg revival
  • Odette, the Swan Princess. Odette is a swan by day (like her sister swans) and a maiden by night. She appears in Acts 2 and 4, and very briefly in Act 3.
  • Prince Siegfried, Odette's lover. Prince Siegfried falls in love with Odette and promises to be true to her forever. He betrays Odette by accident. He appears in all four acts.
  • Von Rothbart, is a magician who keeps Odette and her sister swans trapped in a magic spell. He takes the shape of an owl. He is defeated at the end of the ballet. He appears in Acts 2, 3, and 4. He is sometimes referred to as Rotbart. His name means "Red Beard".
  • Odile, Von Rothbart's daughter. She is disguised as Odette. She tricks the prince into promising his love to her at a ball, and, in doing so, the Prince betrays Odette. She appears only in Act 3. Sometimes the ballerina playing Odette also performs the role of Odile.
  • Wolfgang, the Prince's tutor. Wolfgang usually appears in Act 1. He becomes drunk on the wine. He appears in Acts 1 and 3.
  • Benno, the Prince's friend. Benno suggests to the Prince and his friends that they hunt the swans in Act 1. Benno appears in Acts 1 and 3.
  • Queen Mother, Siegfried's mother. The Queen Mother wants her son to choose a bride. She usually gives him a crossbow as a birthday gift in Act 1. She appears in Acts 1 and 3. The Queen Mother is a pantomime role.

Structure of the ballet[change | change source]

Old black and white photo of a ballerina posing en pointe in a tutu
Pierina Legnani as Odette in the St. Petersburg revival, 1895
  • Overture
Act 1
  • No.1: Scène
  • No.2: Valse (Waltz)
  • No.3: Scène
  • No.4: Pas de trois
  • No.5: Pas de deux
  • No.6: Pas d'action
  • No.7: Sujet
  • No.8: Danses des couppes {Goblet Dance}
  • No.9: Finale
Act 2
  • No.10: Scène
  • No.11: Scène
  • No.12: Scène
  • No.13: Danses des cygnes
  • No.14: Scène
Act 3
  • No.16: Danse du corps de ballet and des nains (Dance for the corps de ballet and the dwarves)
  • No.17: Scène —La sortie des invités et la Valse (Arrival of the guests and Waltz)
  • No.18: Scène
  • No.19: Pas de six (Dance for the six princesses)
  • No.20: Danse hongroise (Hungarian dance)
  • No.21: Danse espangnole (Spanish dance)
  • No.22: Danse napolitaine (Neapolitan dance)
  • No.23: Danse Mazurka (Mazurka)
  • No.24: Scène
  • At a date sometime after the first performance, Tchaikovsky inserted a spectacular pas de deux (now called the Black Swan pas de deux) after the Mazurka
Act 4
  • No.25: Entr'acte
  • No.26: Scène
  • No.27: Danse des petits cygnes (Dance of the baby swans)
  • No.28: Scène
  • No.29: Scène finale

Music[change | change source]

"Dance of the Baby Swans" from Act 4

John Warrack points out that Tchaikovsky put the drama in the story into music: "By making B the key of the tragedy, he initiates a musical "plot" with the dark forces of Rothbart tending to drag the tonality down into flatter keys. The main action, on the other hand, lies on the key area of A." Tchaikovsky balanced all the musical components of the work. "The divertissements are in his lightest, most appealing musical manner", Warrack writes, "The dances that further the plot have rather greater musical substance, while the scenes of narrative and action are in what was found his "symphonic" manner."[10] Critics said Tchaikovsky's music was "too noisy, too 'Wagnerian' and too symphonic".[11]

First performance[change | change source]

Rehearsals for Swan Lake began before Tchaikovsky finished the score, and took place over 11 months. Everyone involved in the production had never heard such a complex score for a ballet. They described the music as "undanceable". Even the conductor threw his hands up in despair over the music.[12]

The choreographer Julius Reisinger was incompetent, and the sets lacked a cohesiveness because they were designed by three different men.[12] In addition, the Bolshoi Theatre was suffering at the time from problems including the lack of a ballet master who could develop a production based on the score.[13] The role of Odette was not given to a first rate dancer but instead to a second rate talent. The reason may have been political.[14]

Swan Lake was first performed on 4 March 1877 at the Bolshoi Theatre in Moscow.[15] Julius Reisinger designed the dances. Pauline Karpakova danced Odette.[16] She put some numbers she liked from other ballets into Swan Lake.[17] The ballet was a failure.[2] In 1883 the Bolshoi dropped the ballet from its repertory. At that time, the sets were falling apart. It was not until 1901 that Alexander Gorsky staged a new production of Swan Lake for the Bolshoi.[18]

What people thought about the ballet[change | change source]

Tchaikovsky's Ballets
Peter Tschaikowski.jpg

Swan Lake (1877)
The Sleeping Beauty (1890)
The Nutcracker (1892)

The first performance of Swan Lake was a disaster. Herman Laroche wrote, "I must say that I had never seen a poorer presentation on the Bolshoi stage. The costumes, decor, and machines did not hide in the least the emptiness of the dances. Not a single balletomane got out of it even five minutes of pleasure." He praised the music. He wrote that Tchaikovsky was "in excellent humour ... he was fully at the height of his genius." Tchaikovsky's brother Modest wrote, "The poverty of the production, meaning the décor and costumes, the absence of outstanding performers, the Ballet Master's weakness of imagination, and, finally, the orchestra ... all of this together permitted [Tchaikovsky] with good reason to cast the blame for the failure on others." The ballet was a moderate success with theatre-goers however. It was presented 33 times between its première at the Bolshoi in 1877 and its final performance in 1883.[19]

St. Peterburg revision, 1895[change | change source]

Tchaikovsky died on 6 November 1893. People started to take more interest in his music after his death. Lev Ivanov was the assistant Ballet Master at the Mariinsky Theatre in St. Petersburg. He designed new dances for Act 2. This act was presented on 1 March 1894 in a concert at the Mariinsky in memory of Tchaikovsky. Pierina Legnani danced Odette. The revised act was a great success. It was presented again with even greater success. Marius Petipa was the Ballet Master at the Mariinsky. He was impressed with the success of these two presentations. He made the decision to stage the complete ballet at the Mariinsky.[20] He designed the dances for Acts 1 and 3 while Ivanov designed the dances for Acts 2 and 4.[21]

Riccardo Drigo was the conductor of the Mariinsky orchestra. He dropped some numbers from the ballet. He orchestrated three piano numbers from Tchaikovsky's Op. 72. He then put them in the ballet. These three numbers were "L'Espiègle", "Valse Bluette", and "Un poco di Chopin". He then put a number into Act 3 which he may have written himself.[21]

Tchaikovsky's brother Modest changed the ballet's story a little for the revision. He gave the ballet a happy ending.[22] The new Swan Lake was presented on 27 January 1895 at the Mariinsky. Pierina Legnani danced both Odette and Odile. The ballet was a great success.[21][23] This version of the ballet is the one generally seen today.[21]

Thirty-two fouettés en tournant[change | change source]

Animation of a dancer in a leotard, spinning around on one toe
Dancer performing fouettés en tournant

Swan Lake is famous for the 32 fouettés en tournant in Act 3. These fouettés are danced at the end of the "Black Swan" pas de deux by the ballerina playing Odile. The pas was an afterthought of Tchaikovsky's. It was not included in the original production. It consists of the opening adagio followed by a variation for the male dancer. This is followed by a variation for the ballerina. The whole concludes with a brisk movement for both dancers that includes the fouettés. Pierina Legnani first danced the fouettés in the Mariinsky production of 1895. Ballet-goers were uncertain about the 32 fouettés. Some thought they were just a stunt. Others found them exciting. These ballet-goers went to every performance to count the number of turns.[23]

Other early productions[change | change source]

A ballerina in a white tutu, posing en point on a dimly lit stage
Swan Lake (Czech Republic, 2009)

Swan Lake became known in Europe and the United States not long after the revised version was presented at the Mariinsky Theatre in 1895. It was first presented in Europe at Prague in June 1907. It was first presented in the United States at the Metropolitan Opera House in December 1911.[24] Diaghilev's Ballets Russes presented a two-act Swan Lake in London in 1911. The Ballets Russes presented a one-act version in London in 1925. The complete Swan Lake was first presented in England by the Sadler's Wells Ballet in November 1934.[24] Ballerinas portraying Odette include Mathilde Kchessinska, Anna Pavlova, and Margot Fonteyn. Pavel Gerdt was the Prince Siegfried of the 1895 St. Petersburg production. Nijinsky and Rudolph Nureyev have also performed Prince Siegfried.

Structure[change | change source]

The score used in this comparison is Tchaikovsky's score.[25] It may be different from Riccardo Drigo's score which is usually performed today. The titles for each number are taken from the original published score. Some of the numbers are titled simply as musical indications, those that are not are translated from their original French titles.

Introduction[change | change source]

Moderato assai — Allegro non troppo — Tempo I

Act I[change | change source]

No. 1 Scène: Allegro giusto
No. 2 Waltz: Tempo di valse
No. 3 Scène: Allegro moderato
No. 4 Pas de trois
I. Intrada (or Entrée): Allegro
II. Andante sostenuto
III. Allegro semplice, Presto
IV. Moderato
V. Allegro
VI. Coda: Allegro vivace
No. 5 Pas de deux for Two Merry-makers (this number was later fashioned into the Black Swan Pas de Deux)
I. Tempo di valse ma non troppo vivo, quasi moderato
II. Andante - Allegro
III. Tempo di valse
IV. Coda: Allegro molto vivace
No. 6 Pas d'action: Andantino quasi moderato – Allegro
No. 7 Sujet (Introduction to the Dance with Goblets)
No. 8 Dance with Goblets: Tempo di polacca
No. 9 Finale: Sujet, Andante

Act II[change | change source]

No. 10 Scène: Moderato
No. 11 Scène: Allegro moderato, Moderato, Allegro vivo
No. 12 Scène: Allegro, Moderato assai quasi andante
No. 13 Dances of the Swans
I. Tempo di valse
II. Moderato assai
III. Tempo di valse
IV. Allegro moderato (this number later became the famous Dance of the Little Swans)
V. Pas d'action: Andante, Andante non troppo, Allegro (material borrowed from Undina)
VI. Tempo di valse
VII. Coda: Allegro vivo
No. 14 Scène: Moderato

Act III[change | change source]

No. 15 Scène: March – Allegro giusto
No. 16 Ballabile: Dance of the Corps de Ballet and the Dwarves: Moderato assai, Allegro vivo
No. 17 Entrance of the Guests and Waltz: Allegro, Tempo di valse
No. 18 Scène: Allegro, Allegro giusto
No. 19 Grand Pas de six.
I. Intrada (or Entrée): Moderato assai
II. Variation 1: Allegro
III. Variation 2: Andante con moto
IV. Variation 3: Moderato
V. Variation 4: Allegro
VI. Variation 5: Moderato, Allegro semplice
VII. Grand Coda: Allegro molto

Appendix I[change | change source]

Pas de deux for Mme. Anna Sobeshchanskaya fashioned from the original music by Léon Minkus (AKA the Tchaikovsky Pas de Deux)

No. 20 Hungarian Dance: Czardas – Moderato assai, Allegro moderato, Vivace

Appendix II[change | change source]

No. 20a Russian Dance for Mlle. Pelageya Karpakova: Moderato, Andante semplice, Allegro vivo, Presto
No. 21 Spanish Dance: Allegro non troppo (Tempo di bolero)
No. 22 Neapolitan/Venetian Dance: Allegro moderato, Andantino quasi moderato, Presto
No. 23 Mazurka: Tempo di mazurka
No. 24 Scène: Allegro, Tempo di valse, Allegro vivo

Act IV[change | change source]

No. 25 Entr'acte: Moderato
No. 26 Scène: Allegro non troppo
No. 27 Dance of the Little Swans: Moderato
No. 28 Scène: Allegro agitato, Molto meno mosso, Allegro vivace
No. 29 Scène finale: Andante, Allegro, Alla breve, Moderato e maestoso, Moderato

Notes[change | change source]

  1. Warrack 1966, p. 5
  2. 2.0 2.1 2.2 Robert 1949, p. 305
  3. Warrack 1966, p. 4.
  4. Warrack 1979, p. 15.
  5. Warrack 1979, pp. 15–16.
  6. Beaumont 2012, p. 8.
  7. Nugent 1985, p. 13.
  8. 8.0 8.1 Warrack 1979, p. 15
  9. Balanchine 1975, p. 449
  10. Warrack 1973, pp. 96–99
  11. Rosen, Gary (1998). "Swan Lake: An Historical Appreciation". Swan Lake programme (Cape Town: Cape Town City Ballet).
  12. 12.0 12.1 Nugent 1985, p. 16.
  13. Nugent & 1985 pp16-17.
  14. Nugent 1985, p. 17.
  15. Warrack 1979, p. 16
  16. Balanchine 1975, p. 432
  17. Balanchine 1975, p. 450
  18. Balanchine 1975, pp. 450–51
  19. Wiley 1991, pp. 232–34
  20. Balanchine 1975, p. 451
  21. 21.0 21.1 21.2 21.3 Balanchine 1975, p. 452
  22. Hurley 2007, p. 165
  23. 23.0 23.1 Robert 1949, p. 306
  24. 24.0 24.1 Balanchine 1975, p. 454
  25. "Royal Opera House - 'Swan Lake' : From Planning To Performance - The Story of 'Swan Lake'". Rohedswanlake.org.uk. http://www.rohedswanlake.org.uk/pgs/main/news_story.asp?id=2. Retrieved 2012-01-15.

References[change | change source]

      
  • Balanchine, George (1975), 101 Stories of the Great Ballets, New York: Anchor Books, ISBN 978-0-385-03398-5
      
  • Hurley, T. (2007), "Opening the door to a fairy tale world: Tchaikovsky's ballet music" in The Cambridge Companion to Ballet, Cambridge, England, UK: Cambridge University Press, ISBN 978-0-521-53986-9
      
      
  • Robert, Grace (1949), The Borzoi Book of Ballets, New York: Knopf
  • Warrack, John (1966), Tchaikovsky's "Swan Lake": True Drama in Dance Form in Swan Lake with Margot Fonteyn and Rudolf Nureyev. Videocassette., Philips 070 201-3; liner notes
  • Warrack, John (1973), Tchaikovsky, New York, New York, USA: Charles Scribner' Sons
  • Wiley, Roland John (1991), Tchaikovsky’s Ballets: Swan Lake, Sleeping Beauty, Nutcracker, Oxford, England, UK: Oxford University Press, ISBN 0-19-816249-9
      

Other websites[change | change source]

Media related to Swan Lake at Wikimedia Commons