|Full name||Paul Charles Morphy|
|World Champion||1858–1862 (Unofficial)|
Paul Morphy (22 June 1837 – 10 July 1884), called "the pride and sorrow of chess", was an American chess master. He was the greatest chess player of his era and an unofficial world champion. This was widely accepted when he defeated Adolf Anderssen, with seven wins, two loses, and two draws, in 1858. Morphy was also one of the first great chess prodigies in the modern era.p263
Morphy was a Creole of mixed inheritance. He was born in New Orleans, Louisiana, to a father of Portuguese, Irish, and Spanish ancestry, and a mother who was a French Creole. His father was a lawyer, and his mother was musically talented. Morphy grew up in an atmosphere of culture where chess and music were the typical highlights of a Sunday home gathering.p11
Chess career[change | edit source]
Morphy taught himself, and by nine he was good by the standards of the local players. At 12 he defeated the Hungarian professional Löwenthal in three casual games. Then he played little chess until he had qualified in law in April 1857. He then entered the first American Chess Congress in New York, and won it easily. Next, he accepted an invitation to play in a tournament in Birmingham, England. That started his famous European tour. He beat everyone of note in England, though Staunton avoided a match.
In Paris he beat Harrwitz, the house professional, at the Café de la Régence.p128 He then won easily against Anderssen, who was a bit out of practice. One of his feats was simultaneous play against five strong players, winning two, drawing two and losing one. In summary, he proved he was the best at that time. On his return home he toured the East Coast cities, accepting testimonials, banquets and applause. He wrote a chess column for a year in the New York Ledger in 1859–60.
- "For this he was paid $3000, but the work soon ended. He was assisted by another player who, along with the editor, found Morphy incorrigibly lazy".p263
Chess style[change | edit source]
Quick and simple development leading to a direct attack: that was Morphy's method. His openings were first-rate for their time. He brought off some outstanding combinations and sacrifices, and his best games are still a model for young players. His games mark the high point of the romantic movement in chess, where players would play all out for direct attacks. This style was later squashed by better defensive technique, especially for the black side in the openings. Out of this came Dr Tarrasch's classical principles, and the idea that no game can be lost without a mistake being made. The chess of the 1890s came to look quite different from Morphy's games, partly because he had forced players to think more clearly about what they were doing.
Life after chess[change | edit source]
Morphy soon gave up chess, but his law practice was disrupted by the American Civil War (1861–1865). He was opposed to secession, and did not serve in the Confederate Army. Morphy traveled to Havana and to Paris, where he had a married sister, but refused invitations to play in public. His law practice never took off, and he never worked or played chess again. The last years of his life were marred by mental illness bordering on paranoia.Chapter 24 He suffered from distrust, obsessions and delusions, and showed erratic behavior.
Morphy died at 47, in his bathtub, perhaps of a stroke. He was the first of several great American players to have a short chess career. Pillsbury died young, reputedly of syphilis, and Bobby Fischer, like Morphy, stopped voluntarily, while still a young man. Fischer showed symptoms of mental illness of a similar kind to Morphy's.p66
References[change | edit source]
- Lawson, David 1976. Paul Morphy: the pride and sorrow of chess. McKay, New York.
- Hooper, David and Whyld, Kenneth 1992. The Oxford companion to chess. 2nd ed, Oxford University Press. ISBN 0-19-866164-9
- The family name is a corruption of Murphy.
- In Bobby Fischer: the wandering King, authors I.M. Hans Böhm and Kees Jongkind write that Fischer's radio broadcasts show that he was "out of his mind ... a victim of his own mental illness". Böhm, Hans & Jongkind, Kees 2003. Bobby Fischer: the wandering King. Batsford, London. ISBN 0-7134-8935-9